Additionally, CM-500 includes fully SysEx compatible LA tone generator similar to CM-32L's. SC-155 adds additional slider controls for master and channel level and panning. Both models have external appearance nearly identical to Roland's earlier CM-32/64-series modules. CM-300 and CM-500 models lack the LCD screen and extended controls of SC-55. Other models with comparable tone generators include Roland CM-300, Roland CM-500 and Roland SC-155 sound modules. Both the Sound Canvas and Sound Brush could be rackmounted alongside each other. Roland Sound Canvas SC-155 Table Top Sound Module in the Line Array Systems category was sold for R470.00 on 1 Sep at 13:16 by skhanet in Johannesburg. The selection of effects includes reverb and chorus.Īlongside the SC-55, Roland released the SB-55 (Sound Brush), an inexpensive MIDI sequencer module the same size as the Sound Canvas. Aimed at PC music enthusiasts, the SC-55 featured 317 instrument patches, including the GS drum kits and additional controllers. It came preloaded with the Roland MT-32's variation bank, but lacked the MT-32's re-programmability. The SC-155 Sound Canvas is a tabletop version of the SC-55 in the form of a mixer with volume controls for each individual channel. CM-300 and CM-500 models lack the LCD screen. The SC-55 used both PCM and a cut-down version of the LA synthesis engine, to support 24-voice polyphony with 16-part multitimbrality. Other models with comparable tone generators include Roland CM-300, Roland CM-500 and Roland SC-155 sound modules. It was the first in the Roland Sound Canvas series.
The SC-55 was the first sound module to incorporate the new General MIDI standard.
The Roland SC-55 ( Sound Canvas) is a GS MIDI sound module released in 1991 by Roland.